\chapter{Musical symbols}
\label{musical-symbols}
\idxbothbegin{musical}{symbols}
\tablesections

The following symbols are used to typeset musical notation.
\ifLILY
  The \LILY\ package provides a large subset of the symbols in this
  chapter.  Note, however, that \LILY\ depends upon the
  \pkgname{fontspec} package and OpenType\index{OpenType}
  (\fileext{otf}) fonts and therefore works only with \lualatex\ or
  \xelatex.
\fi   % LILY test

A simple way to typeset time\index{time signatures} signatures, due to
\person{Daniel}{Hirst}, is to attach a superscript and a subscript to
an empty math object.  For example, \verb|${}^3_4$| renders as
``$\,{}^3_4\,$''.  Because superscripts and subscripts are
left-justified, some extra padding may need to be added if the beats
per measure and beat unit contain different numbers of digits.  A
5\,mu space (``\verb|\;|'') vertically centers the ``8'' relative to
the ``12'' in \verb|${}^{12}_{\;8}$|~(``${}^{12}_{\;8}$'').  For
boldface time signatures (e.g.,~``\,{\boldmath${}^4_4$}\,''), consider
the boldface-math options presented in \ref{bold-math}.
\ifMUSICOG
See also \vref{musicography-time-sig}.
\fi

\bigskip

\begin{symtable}{\latexE\ Musical Symbols}
\idxboth{musical}{symbols}
\label{latex-music}
\begin{tabular}{*3{ll}}
\X\flat & \X\natural & \X\sharp \\
\end{tabular}
\end{symtable}


\begin{symtable}{\TC\ Musical Symbols}
\idxboth{musical}{symbols}
\label{tc-music}
\begin{tabular}{ll}
\K\textmusicalnote \\
\end{tabular}
\end{symtable}


\begin{symtable}[WASY]{\WASY\ Musical Symbols}
\idxboth{musical}{symbols}
\label{wasy-music}
\begin{tabular}{*5{ll}}
\K\eighthnote & \K\halfnote    & \K\twonotes &
\K\fullnote   & \K\quarternote \\
\end{tabular}
\end{symtable}


\begin{symtable}[MNS]{\MNS\ Musical Symbols}
\idxboth{musical}{symbols}
\label{mns-music}
\begin{tabular}{*3{ll}}
\K[\MNSflat]\flat & \K[\MNSnatural]\natural & \K[\MNSsharp]\sharp \\
\end{tabular}
\end{symtable}


\begin{symtable}[FDSYM]{\FDSYM\ Musical Symbols}
\idxboth{musical}{symbols}
\label{fdsym-music}
\begin{tabular}{*3{ll}}
\K[\FDSYMflat]\flat & \K[\FDSYMnatural]\natural & \K[\FDSYMsharp]\sharp \\
\end{tabular}
\end{symtable}


\begin{symtable}[BSK]{\BSK\ Musical Symbols}
\idxboth{musical}{symbols}
\label{bsk-music}
\begin{tabular}{*3{ll}}
\K[\BSKflat]\flat & \K[\BSKnatural]\natural & \K[\BSKsharp]\sharp \\
\end{tabular}
\end{symtable}


\begin{symtable}[STIX]{\STIX\ Musical Symbols}
\idxboth{musical}{symbols}
\label{stix-music}
\begin{tabular}{*3{ll}}
\K[\STIXeighthnote]\eighthnote & \K[\STIXnatural]\natural         & \K[\STIXsharp]\sharp       \\
\K[\STIXflat]\flat             & \K[\STIXquarternote]\quarternote & \K[\STIXtwonotes]\twonotes \\
\end{tabular}
\end{symtable}


\begin{symtable}[AREV]{\AREV\ Musical Symbols}
\idxboth{musical}{symbols}
\label{arev-music}
\begin{tabular}{ll@{\qquad}ll@{\qquad}ll}
\K[\AREVquarternote]\quarternote &
\K[\AREVeighthnote]\eighthnote &
\K[\AREVsixteenthnote]\sixteenthnote \\
\end{tabular}
\end{symtable}


\begin{symtable}[UTFSYM]{\UTFSYM\ Musical Symbols}
\idxboth{musical}{symbols}
\label{utfsym-music}
\begin{tabularx}{\linewidth}{%
    ll>{\raggedright\arraybackslash}X
    @{\qquad}
    ll>{\raggedright\arraybackslash}X
}
\Tutfsym{2669}{quarter note}           & \Tutfsym{266F}{music sharp sign}                 \\
\Tutfsym{266A}{eighth note}            & \Tutfsym{1F39C}{beamed ascending musical notes}  \\
\Tutfsym{266B}{beamed eighth notes}    & \Tutfsym{1F39D}{beamed descending musical notes} \\
\Tutfsym{266C}{beamed sixteenth notes} & \Tutfsym{1F3B5}{musical note}                    \\
\Tutfsym{266D}{music flat sign}        & \Tutfsym{1F3B6}{multiple musical notes}          \\
\Tutfsym{266E}{music natural sign}     & \Tutfsym{1F3BC}{musical score}                   \\
\end{tabularx}

\bigskip

\begin{tablenote}
  \utfsymmessage.
\end{tablenote}
\end{symtable}



\begin{longsymtable}[MSX]{\MSX\ Musical Symbols}
\ltindex{clefs}
\ltindex{alla breve}
\ltindex{cut time}
\ltindex{musical meters}
\label{musixtex-music}
\renewcommand{\arraystretch}{1.75}   % Prevent tall symbols from touching.
\begin{longtable}{*2{ll@{\qqquad}}ll}
\multicolumn{6}{l}{\small\textit{(continued from previous page)}} \\[1ex]
\endhead
\endfirsthead
\\[3ex]
\multicolumn{6}{r}{\small\textit{(continued on next page)}}
\endfoot
\endlastfoot
\K[\MSXallabreve]\allabreve     & \K[\MSXlsf]\lsf                           & \K[\MSXshake]\shake                     \\
\K[\MSXaltoclef]\altoclef       & \K[\MSXlsfz]\lsfz                         & \K[\MSXShake]\Shake                     \\
\K[\MSXbackturn]\backturn       & \K[\MSXmaxima]\maxima                     & \K[\MSXShakel]\Shakel                   \\
\K[\MSXbassclef]\bassclef       & \K[\MSXmeterplus]\meterplus               & \K[\MSXShakene]\Shakene                 \\
\K[\MSXcaesura]\caesura         & \K[\MSXmordent]\mordent                   & \K[\MSXShakenw]\Shakenw                 \\
\K[\MSXcoda]\coda               & \K[\MSXMordent]\Mordent                   & \K[\MSXShakesw]\Shakesw                 \\
\K[\MSXCoda]\Coda               & \K[\MSXPAUSe]\PAUSe                       & \K[\MSXsmallaltoclef]\smallaltoclef     \\
\K[\MSXDep]\Dep                 & \K[\MSXPAuse]\PAuse                       & \K[\MSXsmallbassclef]\smallbassclef     \\
\K[\MSXdoublethumb]\doublethumb & \K[\MSXpause]\pause                       & \K[\MSXsmalltrebleclef]\smalltrebleclef \\
\K[\MSXdownbow]\downbow         & \K[\MSXPed]\Ped                           & \K[\MSXsPed]\sPed                       \\
\K[\MSXds]\ds                   & \K[\MSXqp]\qp                             & \K[\MSXtrebleclef]\trebleclef           \\
\K[\MSXduevolte]\duevolte       & \K[\MSXqqs]\qqs                           & \K[\MSXtrill]\trill                     \\
\K[\MSXfermatadown]\fermatadown & \K[\MSXqs]\qs                             & \K[\MSXturn]\turn                       \\
\K[\MSXfermataup]\fermataup     & \K[\MSXreverseallabreve]\reverseallabreve & \K[\MSXupbow]\upbow                     \\
\K[\MSXflageolett]\flageolett   & \K[\MSXreverseC]\reverseC                 & \K[\MSXusf]\usf                         \\
\K[\MSXhpause]\hpause           & \K[\MSXsDep]\sDep                         & \K[\MSXusfz]\usfz                       \\
\K[\MSXhs]\hs                   & \K[\MSXSegno]\Segno                       & \K[\MSXwq]\wq                           \\
\K[\MSXlonga]\longa             & \K[\MSXsegno]\segno                       & \K[\MSXwqq]\wqq                         \\
\end{longtable}

\bigskip

\begin{tablenote}
  All of these symbols are intended to be used in the context of
  typesetting musical scores.  \seedocs{\MSX}.
\end{tablenote}
\end{longsymtable}


\begin{symtable}[MSX]{\MSX\ Alternative Clefs}
\idxboth{musical}{symbols}
\index{Gregorian music}
\index{liturgical music}
\index{clefs}
\index{percussion}
\label{musixtex-clefs}
\renewcommand{\arraystretch}{1.75}   % Prevent tall symbols from touching.
\begin{tabular}{ll@{\qquad}ll}
\K[\MSXdrumclef]\drumclef             & \K[\MSXgregorianFclef]\gregorianFclef \\
\K[\MSXgregorianCclef]\gregorianCclef & \K[\MSXoldGclef]\oldGclef             \\
\end{tabular}

\bigskip

\begin{tablenote}
  In addition to \MSX, \cmdI[\string\MSXdrumclef]{\drumclef} requires
  the \pkgname[pkg=musixtex]{musixper} package;
  \cmdI[\string\MSXoldGclef]{\oldGclef} requires the
  \pkgname[pkg=musixtex]{musixlit} package; and both
  \cmdI[\string\MSXgregorianCclef]{\gregorianCclef} and
  \cmdI[\string\MSXgregorianFclef]{\gregorianFclef} require the
  \pkgname[pkg=musixtex]{musixgre} package.  Together with \MSX, these
  packages provide a complete system for typesetting percussion
  notation (\pkgname[pkg=musixtex]{musixper}), liturgical music
  (\pkgname[pkg=musixtex]{musixlit}), and Gregorian chants
  (\pkgname[pkg=musixtex]{musixgre}, including the staffs and all of
  the necessary neumes\index{neumes}.  \seedocs{\MSX}.
\end{tablenote}
\end{symtable}


\begin{symtable}[HARM]{\HARM\ Musical Symbols}
\idxboth{musical}{symbols}
\index{whole note=whole note (\Ganz)}
\index{whole note rest=whole note rest (\GaPa)}
\index{half note=half note (\Halb)}
\index{half note rest=half note rest (\HaPa)}
\index{quarter note=quarter note (\Vier)}
\index{quarter note rest=quarter note rest (\ViPa)}
\index{eighth note=eighth note (\Acht)}
\index{eighth note rest=eighth note rest (\AcPa)}
\index{sixteenth note=sixteenth note (\Sech)}
\index{sixteenth note rest=sixteenth note rest (\SePa)}
\index{thirty-second note=thirty-second note (\Zwdr)}
\index{thirty-second note rest=thirty-second note rest (\ZwPa)}
\label{harmony-music}
\begin{indexingoff}
\begin{tabular}{*4{ll@{\qqquad}}ll}
\K\AAcht  & \K\DDohne & \K\Halb   & \K\SechBR & \K\VM     \\
\K\Acht   & \K\Dohne  & \K\HaPa   & \K\SechBr & \K\Zwdr   \\
\K\AchtBL & \K\Ds     & \K\Pu     & \K\SePa   & \K\ZwPa   \\
\K\AchtBR & \K\DS     & \K\Sech   & \K\UB     &           \\
\K\AcPa   & \K\Ganz   & \K\SechBL & \K\Vier   &           \\
\K\DD     & \K\GaPa   & \K\SechBl & \K\ViPa   &           \\
\end{tabular}
\end{indexingoff}

\bigskip

\begin{tablenote}
  \seepackagenote{HARM}{harmony}.
\end{tablenote}
\end{symtable}


\begin{symtable}[MUSICOG]{\MUSICOG\ Musical Symbols}
\idxboth{musical}{symbols}
\label{musicography-music}
\begin{tabular}{*2{ll@{\qqquad}}ll}
\K\musDoubleFlat   & \K\musNatural         & \K\musSixtyFourth        \\
\K\musDoubleSharp  & \K\musQuarter         & \K\musSixtyFourthDotted  \\
\K\musEighth       & \K\musQuarterDotted   & \K\musThirtySecond       \\
\K\musEighthDotted & \K\musSegno           & \K\musThirtySecondDotted \\
\K\musFlat         & \K\musSharp           & \K\musWhole              \\
\K\musHalf         & \K\musSixteenth       & \K\musWholeDotted        \\
\K\musHalfDotted   & \K\musSixteenthDotted &                          \\
\end{tabular}

\bigskip

\begin{tablenote}
  \MUSICOG\ defines \cmdI{\fl}, \cmdI{\sh}, and \cmdI{\na} as
  shorthands for \cmdI{\musFlat}, \cmdI{\musSharp}, and
  \cmdI{\musNatural}, respectively.  It also defines \cmdI{\musCorchea}
  as an alias for \cmdI{\musEighth}, \cmdI{\musCorcheaDotted} as an
  alias for \cmdI{\musEighthDotted}, \cmdI{\musFusa} as an alias for
  \cmdI{\musEighth}, \cmdI{\musFusaDotted} as an alias for
  \cmdI{\musEighthDotted}, \cmdI{\musMinim} as an alias for
  \cmdI{\musHalf}, \cmdI{\musMinimDotted} as an alias for
  \cmdI{\musHalfDotted}, \cmdI{\musSemibreve} as an alias for
  \cmdI{\musWhole}, \cmdI{\musSemibreveDotted} as an alias for
  \cmdI{\musWholeDotted}, \cmdI{\musSemiminim} as an alias for
  \cmdI{\musQuarter}, and \cmdI{\musSeminiminimDotted} as an alias for
  \cmdI{\musQuarterDotted}.

  \seepackagenote[also ]{MUSICOG}{musicography}.
\end{tablenote}
\end{symtable}


\begin{symtable}[MUSICOG]{\MUSICOG\ Time Signatures}
\idxboth{musical}{symbols}
\index{time signatures}
\index{alla breve}
\index{cut time}
\index{musical meters}
\label{musicography-time-sig}
\renewcommand{\arraystretch}{1.25}   % Prevent tall symbols from touching.
\begin{tabular}{*2{ll@{\qqquad}}ll}
\K\meterC      & \K\meterCThreeTwo & \K\meterCZ \\
\K\meterCThree & \K\meterCutC      & \K\meterO  \\
\end{tabular}

\bigskip

\begin{tablenote}
  Other time signatures can be specified with \cmd{\musMeter}, as in

  \vspace{-\baselineskip}
  \begin{center}
    \verb|\musMeter{2}{4}|
    \quad $\rightarrow$ \quad
    \musMeter{2}{4}
  \end{center}

  \seepackagenote[also ]{MUSICOG}{musicography}.
\end{tablenote}
\end{symtable}

\begin{symtable}[HARM]{\HARM\ Musical Accents}
\idxboth{musical}{symbols}
\index{accents}
\index{time signatures}
\index{alla breve}
\index{cut time}
\label{harmony-accents}
\renewcommand{\arraystretch}{1.6}   % Prevent tall symbols from touching.
\begin{tabular}{ll@{\qqquad}ll}
\Q\Ferli$^*$ & \Q\Ohne$^*$  \\
\Q\Fermi     & \Q\Umd$^*$   \\
\Qc\Kr       &              \\
\end{tabular}

\bigskip

\begin{tablenote}
  In addition to the accents shown above, \cmd{\HH} is a special
  accent command that accepts five period-separated characters and
  typesets them such that ``\verb|\HH.X.a.b.c.d.|'' produces
  ``\harmHH.X.a.b.c.d.''.  All arguments except the first can be
  omitted: ``\verb|\HH.X.....|'' produces ``\harmHH.X.....''.
  \cmd{\Takt} takes two arguments and composes them into a musical
  time signature.  For example, ``\verb|\Takt{12}{8}|'' produces
  ``\Takt{12}{8}''.  As two special cases, ``\verb|\Takt{c}{0}|''
  produces ``\Takt{c}{0}'' and ``\verb|\Takt{c}{1}|'' produces
  ``\Takt{c}{1}''.

  \seepackagenote[also ]{HARM}{harmony}.
\end{tablenote}

\bigskip

\begin{tablenote}[*]
  These symbols take an optional argument which shifts the accent
  either horizontally or vertically (depending on the command) by the
  given distance.
\end{tablenote}
\end{symtable}


\begin{longsymtable}[LILY]{\LILY\ Single Notes}
\label{lily-notes}
\begin{longtable}{*2{ll}}
\multicolumn{4}{l}{\small\textit{(continued from previous page)}} \\[1ex]
\endhead
\endfirsthead
\\[3ex]
\multicolumn{4}{r}{\small\textit{(continued on next page)}}
\endfoot
\endlastfoot
\K\eighthNote                  & \K\quarterNoteDottedDown            \\
\K\eighthNoteDotted            & \K\quarterNoteDown                  \\
\K\eighthNoteDottedDouble      & \K\sixteenthNote                    \\
\K\eighthNoteDottedDoubleDown  & \K\sixteenthNoteDotted              \\
\K\eighthNoteDottedDown        & \K\sixteenthNoteDottedDouble        \\
\K\eighthNoteDown              & \K\sixteenthNoteDottedDoubleDown    \\
\K\halfNote                    & \K\sixteenthNoteDottedDown          \\
\K\halfNoteDotted              & \K\sixteenthNoteDown                \\
\K\halfNoteDottedDouble        & \K\thirtysecondNote                 \\
\K\halfNoteDottedDoubleDown    & \K\thirtysecondNoteDotted           \\
\K\halfNoteDottedDown          & \K\thirtysecondNoteDottedDouble     \\
\K\halfNoteDown                & \K\thirtysecondNoteDottedDoubleDown \\
\K\quarterNote                 & \K\thirtysecondNoteDottedDown       \\
\K\quarterNoteDotted           & \K\thirtysecondNoteDown             \\
\K\quarterNoteDottedDouble     & \K\wholeNote                        \\
\K\quarterNoteDottedDoubleDown & \K\wholeNoteDotted                  \\
\end{longtable}

\LILY\ defines synonyms for all of the preceding symbols:

\begin{longtable}{*2{ll}}
\multicolumn{4}{l}{\small\textit{(continued from previous page)}} \\[1ex]
\endhead
\endfirsthead
\\[3ex]
\multicolumn{4}{r}{\small\textit{(continued on next page)}}
\endfoot
\endlastfoot
\K\crotchet                       & \K\minimDottedDown            \\
\K\crotchetDotted                 & \K\minimDown                  \\
\K\crotchetDottedDouble           & \K\quaver                     \\
\K\crotchetDottedDoubleDown       & \K\quaverDotted               \\
\K\crotchetDottedDown             & \K\quaverDottedDouble         \\
\K\crotchetDown                   & \K\quaverDottedDoubleDown     \\
\K\demisemiquaver                 & \K\quaverDottedDown           \\
\K\demisemiquaverDotted           & \K\quaverDown                 \\
\K\demisemiquaverDottedDouble     & \K\semibreve                  \\
\K\demisemiquaverDottedDoubleDown & \K\semibreveDotted            \\
\K\demisemiquaverDottedDown       & \K\semiquaver                 \\
\K\demisemiquaverDown             & \K\semiquaverDotted           \\
\K\minim                          & \K\semiquaverDottedDouble     \\
\K\minimDotted                    & \K\semiquaverDottedDoubleDown \\
\K\minimDottedDouble              & \K\semiquaverDottedDown       \\
\K\minimDottedDoubleDown          & \K\semiquaverDown             \\
\end{longtable}
\end{longsymtable}


\begin{symtable}[LILY]{\LILY\ Beamed Notes}
\idxboth{musical}{symbols}
\renewcommand{\arraystretch}{1.5}   % Prevent tall symbols from touching.
\begin{tabular}{*2{ll}}
\K\twoBeamedQuavers    & \K\threeBeamedQuaversII  \\
\K\threeBeamedQuavers  & \K\threeBeamedQuaversIII \\
\K\threeBeamedQuaversI &                          \\
\end{tabular}
\end{symtable}


\begin{symtable}[LILY]{\LILY\ Clefs}
\idxboth{musical}{symbols}
\index{clefs}
\label{lily-clefs}
\begin{tabular}{ll@{\qquad}ll@{\qquad}ll}
\K\clefC & \K\clefF & \K\clefG \\
\end{tabular}

\bigskip

\begin{tablenote}
  Each of these symbols provides a smaller, ``inline'' form
  (\cmd{\clefCInline}, \cmd{\clefFInline}, and \cmd{\clefGInline},
  respectively) intended for use within a paragraph.  \seedocs{\LILY}.
\end{tablenote}
\end{symtable}


\begin{symtable}[LILY]{\LILY\ Time Signatures}
\idxboth{musical}{symbols}
\index{time signatures}
\index{alla breve}
\index{cut time}
\label{lily-time}
\begin{tabular}{ll@{\qquad}ll}
\K\lilyTimeC & \K\lilyTimeCHalf \\
\end{tabular}

\bigskip

\begin{tablenote}
  \LILY\ also provides a \cmd{\lilyTimeSignature} command that lets a
  user typeset single and compound time signatures by specifying a
  numerator and a denominator.  \seedocs{\LILY}.
\end{tablenote}
\end{symtable}


\begin{symtable}[LILY]{\LILY\ Accidentals}
\idxboth{musical}{symbols}
\subindex{arrows}{on musical accidentals}
\label{lily-accidentals}
\renewcommand{\arraystretch}{1.5}   % Try to even out the line spacing a bit.
\begin{tabular}{*2{ll}}
\K\doublesharp           & \K\sharpArrowdown               \\
\K[\LILYflat]\flat       & \K\sharpArrowup                 \\
\K\flatflat              & \K\sharpSlashslashslashStem     \\
\K[\LILYnatural]\natural & \K\sharpSlashslashslashStemstem \\
\K[\LILYsharp]\sharp     & \K\sharpSlashslashStem          \\
\K\sharpArrowboth        & \K\sharpSlashslashStemstemstem  \\
\end{tabular}
\end{symtable}


\begin{symtable}[LILY]{\LILY\ Rests}
\idxboth{musical}{symbols}
\label{lily-rests}
\begin{tabular}{*2{ll}}
\K\crotchetRest       & \K\quaverRestDotted     \\
\K\crotchetRestDotted & \K\semiquaverRest       \\
\K\halfNoteRest       & \K\semiquaverRestDotted \\
\K\halfNoteRestDotted & \K\wholeNoteRest        \\
\K\quaverRest         & \K\wholeNoteRestDotted  \\
\end{tabular}

\bigskip

\begin{tablenote}
  Multiply dotted rests can be produced with the
  \cmd{\lilyPrintMoreDots} command.  \seedocs{\LILY}.
\end{tablenote}
\end{symtable}


\begin{symtable}[LILY]{\LILY\ Dynamics Letters}
\index{forte=forte (\LILYdyn{-1pt}{f})}
\index{mezzo=mezzo (\LILYdyn{0pt}{m})}
\index{piano=piano (\LILYdyn{-2pt}{p})}
\index{rinforzando=rinforzando (\lilyRF)}
\index{rinforzando=rinforzando (\lilyRFZ)}
\idxboth{musical}{symbols}
\label{lily-dyn-alpha}
\begin{tabular}{ll@{\qquad}ll}
\Tld{-2pt}{f} & \Tld{0pt}{r} \\
\Tld{-2pt}{p} & \Tld{0pt}{s} \\
\Tld{0pt}{m}  & \Tld{0pt}{z} \\[3ex]

\K\lilyRF & \K\lilyRFZ \\
\end{tabular}

\bigskip

\begin{tablenote}
  These letters and the digits~0--9 are the only alphanumerics defined
  by \LILY's underlying \PSfont{Emmentaler} fonts.
\end{tablenote}
\end{symtable}


\begin{symtable}[LILY]{\LILY\ Dynamics Symbols}
\idxboth{musical}{symbols}
\label{lily-dyn-sym}
\begin{tabular}{ll@{\qqquad}ll}
\K\crescHairpin & \K\decrescHairpin \\
\end{tabular}
\end{symtable}


\begin{symtable}[LILY]{\LILY\ Articulations}
\index{thumb pizzicato=thumb pizzicato (\lilyThumb)}
\idxboth{musical}{symbols}
\label{lily-articulations}
\begin{tabular}{*3{ll}}
\K\lilyAccent     & \K\marcato     & \K\staccatissimo \\
\K\lilyEspressivo & \K\marcatoDown & \K\tenuto        \\
\K\lilyStaccato   & \K\portato     &                  \\
\K\lilyThumb      & \K\portatoDown &                  \\
\end{tabular}
\end{symtable}


\begin{symtable}[LILY]{\LILY\ Scripts}
\idxboth{musical}{symbols}
\label{lily-scripts}
\begin{tabular}{ll}
\K\fermata
\end{tabular}
\end{symtable}


\begin{symtable}[LILY]{\LILY\ Accordion Notation}
\index{accordion notation}
\idxboth{musical}{symbols}
\label{lily-accordion}
\begin{tabular}{*3{ll}}
\K\accordionBayanBass & \K\accordionOldEE & \K\accordionStdBass \\
\K\accordionDiscant   & \K\accordionPull  &                     \\
\K\accordionFreeBass  & \K\accordionPush  &                     \\
\end{tabular}
\end{symtable}


\begin{symtable}[LILY]{\LILY\ Named Time Signatures}
\idxboth{musical}{symbols}
\index{time signatures}
\index{alla breve}
\index{cut time}
\label{lily-gen-timesig}
\begin{tabular}{*2{ll}}
\Tlg{timesig.C22}           & \Tlg{timesig.mensural98}       \\
\Tlg{timesig.C44}           & \Tlg{timesig.neomensural22}    \\
\Tlg{timesig.mensural22}    & \Tlg{timesig.neomensural24}    \\
\Tlg{timesig.mensural24}    & \Tlg{timesig.neomensural32}    \\
\Tlg{timesig.mensural32}    & \Tlg{timesig.neomensural34}    \\
\Tlg{timesig.mensural34}    & \Tlg{timesig.neomensural44}    \\
\Tlg{timesig.mensural44}    & \Tlg{timesig.neomensural48}    \\
\Tlg{timesig.mensural48}    & \Tlg{timesig.neomensural64}    \\
\Tlg{timesig.mensural64}    & \Tlg{timesig.neomensural68}    \\
\Tlg{timesig.mensural68}    & \Tlg{timesig.neomensural68alt} \\
\Tlg{timesig.mensural68alt} & \Tlg{timesig.neomensural94}    \\
\Tlg{timesig.mensural94}    & \Tlg{timesig.neomensural98}    \\
\end{tabular}

\bigskip

\begin{tablenote}
  \LILY\ defines shorter names for a few of these symbols.  See
  \vref{lily-time}.
\end{tablenote}
\end{symtable}


\begin{longsymtable}[LILY]{\LILY\ Named Scripts}
\ltindex{arrows}
\label{lily-gen-scripts}
\begin{longtable}{*2{ll}}
\multicolumn{4}{l}{\small\textit{(continued from previous page)}} \\[1ex]
\endhead
\endfirsthead
\\[3ex]
\multicolumn{4}{r}{\small\textit{(continued on next page)}}
\endfoot
\endlastfoot
\Tlg{scripts.arpeggio}            & \Tlg{scripts.prallmordent}        \\
\Tlg{scripts.arpeggio.arrow.1}    & \Tlg{scripts.prallprall}          \\
\Tlg{scripts.arpeggio.arrow.M1}   & \Tlg{scripts.prallup}             \\
\Tlg{scripts.augmentum}           & \Tlg{scripts.rcomma}              \\
\Tlg{scripts.barline.kievan}      & \Tlg{scripts.reverseturn}         \\
\Tlg{scripts.caesura.curved}      & \Tlg{scripts.rvarcomma}           \\
\Tlg{scripts.caesura.straight}    & \Tlg{scripts.segno}               \\
\Tlg{scripts.circulus}            & \Tlg{scripts.sforzato}            \\
\Tlg{scripts.coda}                & \Tlg{scripts.snappizzicato}       \\
\Tlg{scripts.daccentus}           & \Tlg{scripts.staccato}            \\
\Tlg{scripts.dfermata}            & \Tlg{scripts.stopped}             \\
\Tlg{scripts.dlongfermata}        & \Tlg{scripts.tenuto}              \\
\Tlg{scripts.dmarcato}            & \Tlg{scripts.thumb}               \\
\Tlg{scripts.downbow}             & \Tlg{scripts.tickmark}            \\
\Tlg{scripts.downmordent}         & \Tlg{scripts.trilelement}         \\
\Tlg{scripts.downprall}           & \Tlg{scripts.trill}               \\
\Tlg{scripts.dpedalheel}          & \Tlg{scripts.trill_element}       \\
\Tlg{scripts.dpedaltoe}           & \Tlg{scripts.turn}                \\
\Tlg{scripts.dportato}            & \Tlg{scripts.uaccentus}           \\
\Tlg{scripts.dsemicirculus}       & \Tlg{scripts.ufermata}$^*$        \\
\Tlg{scripts.dshortfermata}       & \Tlg{scripts.ulongfermata}        \\
\Tlg{scripts.dsignumcongruentiae} & \Tlg{scripts.umarcato}            \\
\Tlg{scripts.dstaccatissimo}      & \Tlg{scripts.upbow}               \\
\Tlg{scripts.dverylongfermata}    & \Tlg{scripts.upedalheel}          \\
\Tlg{scripts.espr}                & \Tlg{scripts.upedaltoe}           \\
\Tlg{scripts.flageolet}           & \Tlg{scripts.upmordent}           \\
\Tlg{scripts.halfopen}            & \Tlg{scripts.uportato}            \\
\Tlg{scripts.halfopenvertical}    & \Tlg{scripts.upprall}             \\
\Tlg{scripts.ictus}               & \Tlg{scripts.usemicirculus}       \\
\Tlg{scripts.lcomma}              & \Tlg{scripts.ushortfermata}       \\
\Tlg{scripts.lineprall}           & \Tlg{scripts.usignumcongruentiae} \\
\Tlg{scripts.lvarcomma}           & \Tlg{scripts.ustaccatissimo}      \\
\Tlg{scripts.mordent}             & \Tlg{scripts.uverylongfermata}    \\
\Tlg{scripts.open}                & \Tlg{scripts.varcoda}             \\
\Tlg{scripts.prall}               & \Tlg{scripts.varsegno}            \\
\Tlg{scripts.pralldown}           &                                   \\
\end{longtable}

\bigskip

\begin{tablenote}[*]
  \LILY\ defines \cmd{\fermata} as a shorter name than
  \verb|\lilyGlyph{scripts.ufermata}| for ``\fermata''.  See
  \vref{lily-scripts}.
\end{tablenote}
\end{longsymtable}


\begin{symtable}[LILY]{\LILY\ Named Rests}
\idxboth{musical}{symbols}
\label{lily-gen-rests}
\begin{tabular}{*2{ll}}
\Tlg{rests.0}            & \Tlg{rests.4mensural}     \\
\Tlg{rests.0mensural}    & \Tlg{rests.4neomensural}  \\
\Tlg{rests.0neomensural} & \Tlg{rests.5}             \\
\Tlg{rests.0o}$^*$       & \Tlg{rests.6}             \\
\Tlg{rests.1}            & \Tlg{rests.7}             \\
\Tlg{rests.1mensural}    & \Tlg{rests.M1}            \\
\Tlg{rests.1neomensural} & \Tlg{rests.M1mensural}    \\
\Tlg{rests.1o}$^*$       & \Tlg{rests.M1neomensural} \\
\Tlg{rests.2}$^*$        & \Tlg{rests.M1o}           \\
\Tlg{rests.2classical}   & \Tlg{rests.M2}            \\
\Tlg{rests.2mensural}    & \Tlg{rests.M2mensural}    \\
\Tlg{rests.2neomensural} & \Tlg{rests.M2neomensural} \\
\Tlg{rests.3}$^*$        & \Tlg{rests.M3}            \\
\Tlg{rests.3mensural}    & \Tlg{rests.M3mensural}    \\
\Tlg{rests.3neomensural} & \Tlg{rests.M3neomensural} \\
\Tlg{rests.4}$^*$        &                           \\
\end{tabular}

\bigskip

\begin{tablenote}[*]
  \LILY\ defines shorter names for these symbols.  See
  \vref{lily-rests}.
\end{tablenote}
\end{symtable}


\begin{symtable}[LILY]{\LILY\ Named Pedals}
\idxboth{musical}{symbols}
\label{lily-gen-pedals}
\begin{tabular}{ll@{\qquad}ll}
\Tlg{pedal.*} & \Tlg{pedal.M}   \\
\Tlg{pedal..} & \Tlg{pedal.P}   \\
\Tlg{pedal.d} & \Tlg{pedal.Ped} \\
\Tlg{pedal.e} &                 \\
\end{tabular}
\end{symtable}


\begin{symtable}[LILY]{\LILY\ Named Flags}
\idxboth{musical}{symbols}
\label{lily-gen-flags}
\begin{tabular}{*2{ll}}
\Tlg{flags.d3}          & \Tlg{flags.mensuralu03} \\
\Tlg{flags.d4}          & \Tlg{flags.mensuralu04} \\
\Tlg{flags.d5}          & \Tlg{flags.mensuralu05} \\
\Tlg{flags.d6}          & \Tlg{flags.mensuralu06} \\
\Tlg{flags.d7}          & \Tlg{flags.mensuralu13} \\
\Tlg{flags.dgrace}      & \Tlg{flags.mensuralu14} \\
\Tlg{flags.mensurald03} & \Tlg{flags.mensuralu15} \\
\Tlg{flags.mensurald04} & \Tlg{flags.mensuralu16} \\
\Tlg{flags.mensurald05} & \Tlg{flags.mensuralu23} \\
\Tlg{flags.mensurald06} & \Tlg{flags.mensuralu24} \\
\Tlg{flags.mensurald13} & \Tlg{flags.mensuralu25} \\
\Tlg{flags.mensurald14} & \Tlg{flags.mensuralu26} \\
\Tlg{flags.mensurald15} & \Tlg{flags.u3}          \\
\Tlg{flags.mensurald16} & \Tlg{flags.u4}          \\
\Tlg{flags.mensurald23} & \Tlg{flags.u5}          \\
\Tlg{flags.mensurald24} & \Tlg{flags.u6}          \\
\Tlg{flags.mensurald25} & \Tlg{flags.u7}          \\
\Tlg{flags.mensurald26} & \Tlg{flags.ugrace}      \\
\end{tabular}
\end{symtable}


\begin{symtable}[LILY]{\LILY\ Named Custodes}
\idxboth{musical}{symbols}
\label{lily-gen-custodes}
\begin{tabular}{ll@{\qquad}ll}
\Tlg{custodes.hufnagel.d0} & \Tlg{custodes.mensural.d0} \\
\Tlg{custodes.hufnagel.d1} & \Tlg{custodes.mensural.d1} \\
\Tlg{custodes.hufnagel.d2} & \Tlg{custodes.mensural.d2} \\
\Tlg{custodes.hufnagel.u0} & \Tlg{custodes.mensural.u0} \\
\Tlg{custodes.hufnagel.u1} & \Tlg{custodes.mensural.u1} \\
\Tlg{custodes.hufnagel.u2} & \Tlg{custodes.mensural.u2} \\
\Tlg{custodes.medicaea.d0} & \Tlg{custodes.vaticana.d0} \\
\Tlg{custodes.medicaea.d1} & \Tlg{custodes.vaticana.d1} \\
\Tlg{custodes.medicaea.d2} & \Tlg{custodes.vaticana.d2} \\
\Tlg{custodes.medicaea.u0} & \Tlg{custodes.vaticana.u0} \\
\Tlg{custodes.medicaea.u1} & \Tlg{custodes.vaticana.u1} \\
\Tlg{custodes.medicaea.u2} & \Tlg{custodes.vaticana.u2} \\
\end{tabular}
\end{symtable}


\begin{longsymtable}[LILY]{\LILY\ Named Clefs}
\ltindex{clefs}
\label{lily-gen-clefs}
\begin{longtable}{*2{ll}}
\multicolumn{4}{l}{\small\textit{(continued from previous page)}} \\[1ex]
\endhead
\endfirsthead
\\[3ex]
\multicolumn{4}{r}{\small\textit{(continued on next page)}}
\endfoot
\endlastfoot
\Tlg{clefs.blackmensural.c}        & \Tlg{clefs.mensural.g_change}    \\
\Tlg{clefs.blackmensural.c_change} & \Tlg{clefs.neomensural.c}        \\
\Tlg{clefs.C}$^*$                  & \Tlg{clefs.neomensural.c_change} \\
\Tlg{clefs.C_change}$^*$           & \Tlg{clefs.percussion}           \\
\Tlg{clefs.F}$^*$                  & \Tlg{clefs.percussion_change}    \\
\Tlg{clefs.F_change}$^*$           & \Tlg{clefs.petrucci.c1}          \\
\Tlg{clefs.G}$^*$                  & \Tlg{clefs.petrucci.c1_change}   \\
\Tlg{clefs.G_change}$^*$           & \Tlg{clefs.petrucci.c2}          \\
\Tlg{clefs.hufnagel.do}            & \Tlg{clefs.petrucci.c2_change}   \\
\Tlg{clefs.hufnagel.do.fa}         & \Tlg{clefs.petrucci.c3}          \\
\Tlg{clefs.hufnagel.do.fa_change}  & \Tlg{clefs.petrucci.c3_change}   \\
\Tlg{clefs.hufnagel.do_change}     & \Tlg{clefs.petrucci.c4}          \\
\Tlg{clefs.hufnagel.fa}            & \Tlg{clefs.petrucci.c4_change}   \\
\Tlg{clefs.hufnagel.fa_change}     & \Tlg{clefs.petrucci.c5}          \\
\Tlg{clefs.kievan.do}              & \Tlg{clefs.petrucci.c5_change}   \\
\Tlg{clefs.kievan.do_change}       & \Tlg{clefs.petrucci.f}           \\
\Tlg{clefs.medicaea.do}            & \Tlg{clefs.petrucci.f_change}    \\
\Tlg{clefs.medicaea.do_change}     & \Tlg{clefs.petrucci.g}           \\
\Tlg{clefs.medicaea.fa}            & \Tlg{clefs.petrucci.g_change}    \\
\Tlg{clefs.medicaea.fa_change}     & \Tlg{clefs.tab}                  \\
\Tlg{clefs.mensural.c}             & \Tlg{clefs.tab_change}           \\
\Tlg{clefs.mensural.c_change}      & \Tlg{clefs.vaticana.do}          \\
\Tlg{clefs.mensural.f}             & \Tlg{clefs.vaticana.do_change}   \\
\Tlg{clefs.mensural.f_change}      & \Tlg{clefs.vaticana.fa}          \\
\Tlg{clefs.mensural.g}             & \Tlg{clefs.vaticana.fa_change}   \\
\end{longtable}

\bigskip

\begin{tablenote}[*]
  \LILY\ defines shorter names for these symbols.  See
  \vref{lily-clefs}.
\end{tablenote}
\end{longsymtable}


\begin{longsymtable}[LILY]{\LILY\ Named Noteheads}
\ltindex{crosses}
\ltindex{rhombuses}
\ltindex{ellipses (ovals)}
\ltindex{ovals}
\ltindex{squares}
\ltindex{rectangles}
\ltindex{polygons}
\ltindex{triangles}
\ltindex{geometric shapes}
\label{lily-gen-noteheads}
\begin{longtable}{ll}
\multicolumn{2}{l}{\small\textit{(continued from previous page)}} \\[1ex]
\endhead
\endfirsthead
\\[3ex]
\multicolumn{2}{r}{\small\textit{(continued on next page)}}
\endfoot
\endlastfoot
\Tlg{noteheads.d0doFunk}                      \\
\Tlg{noteheads.d0fa}                          \\
\Tlg{noteheads.d0faFunk}                      \\
\Tlg{noteheads.d0faThin}                      \\
\Tlg{noteheads.d0miFunk}                      \\
\Tlg{noteheads.d0reFunk}                      \\
\Tlg{noteheads.d0tiFunk}                      \\
\Tlg{noteheads.d1do}                          \\
\Tlg{noteheads.d1doFunk}                      \\
\Tlg{noteheads.d1doThin}                      \\
\Tlg{noteheads.d1doWalker}                    \\
\Tlg{noteheads.d1fa}                          \\
\Tlg{noteheads.d1faFunk}                      \\
\Tlg{noteheads.d1faThin}                      \\
\Tlg{noteheads.d1faWalker}                    \\
\Tlg{noteheads.d1miFunk}                      \\
\Tlg{noteheads.d1re}                          \\
\Tlg{noteheads.d1reFunk}                      \\
\Tlg{noteheads.d1reThin}                      \\
\Tlg{noteheads.d1reWalker}                    \\
\Tlg{noteheads.d1ti}                          \\
\Tlg{noteheads.d1tiFunk}                      \\
\Tlg{noteheads.d1tiThin}                      \\
\Tlg{noteheads.d1tiWalker}                    \\
\Tlg{noteheads.d1triangle}                    \\
\Tlg{noteheads.d2do}                          \\
\Tlg{noteheads.d2doFunk}                      \\
\Tlg{noteheads.d2doThin}                      \\
\Tlg{noteheads.d2doWalker}                    \\
\Tlg{noteheads.d2fa}                          \\
\Tlg{noteheads.d2faFunk}                      \\
\Tlg{noteheads.d2faThin}                      \\
\Tlg{noteheads.d2faWalker}                    \\
\Tlg{noteheads.d2kievan}                      \\
\Tlg{noteheads.d2re}                          \\
\Tlg{noteheads.d2reFunk}                      \\
\Tlg{noteheads.d2reThin}                      \\
\Tlg{noteheads.d2reWalker}                    \\
\Tlg{noteheads.d2ti}                          \\
\Tlg{noteheads.d2tiFunk}                      \\
\Tlg{noteheads.d2tiThin}                      \\
\Tlg{noteheads.d2tiWalker}                    \\
\Tlg{noteheads.d2triangle}                    \\
\Tlg{noteheads.d3kievan}                      \\
\Tlg{noteheads.dM2}                           \\
\Tlg{noteheads.dM2blackmensural}              \\
\Tlg{noteheads.dM2mensural}                   \\
\Tlg{noteheads.dM2neomensural}                \\
\Tlg{noteheads.dM2semimensural}               \\
\Tlg{noteheads.dM3blackmensural}              \\
\Tlg{noteheads.dM3mensural}                   \\
\Tlg{noteheads.dM3neomensural}                \\
\Tlg{noteheads.dM3semimensural}               \\
\Tlg{noteheads.drM2mensural}                  \\
\Tlg{noteheads.drM2neomensural}               \\
\Tlg{noteheads.drM2semimensural}              \\
\Tlg{noteheads.drM3mensural}                  \\
\Tlg{noteheads.drM3neomensural}               \\
\Tlg{noteheads.drM3semimensural}              \\
\Tlg{noteheads.s0}                            \\
\Tlg{noteheads.s0blackmensural}               \\
\Tlg{noteheads.s0blackpetrucci}               \\
\Tlg{noteheads.s0cross}                       \\
\Tlg{noteheads.s0diamond}                     \\
\Tlg{noteheads.s0do}                          \\
\Tlg{noteheads.s0doThin}                      \\
\Tlg{noteheads.s0doWalker}                    \\
\Tlg{noteheads.s0faWalker}                    \\
\Tlg{noteheads.s0harmonic}                    \\
\Tlg{noteheads.s0kievan}                      \\
\Tlg{noteheads.s0la}                          \\
\Tlg{noteheads.s0laFunk}                      \\
\Tlg{noteheads.s0laThin}                      \\
\Tlg{noteheads.s0laWalker}                    \\
\Tlg{noteheads.s0mensural}                    \\
\Tlg{noteheads.s0mi}                          \\
\Tlg{noteheads.s0miMirror}                    \\
\Tlg{noteheads.s0miThin}                      \\
\Tlg{noteheads.s0miWalker}                    \\
\Tlg{noteheads.s0neomensural}                 \\
\Tlg{noteheads.s0petrucci}                    \\
\Tlg{noteheads.s0re}                          \\
\Tlg{noteheads.s0reThin}                      \\
\Tlg{noteheads.s0reWalker}                    \\
\Tlg{noteheads.s0slash}                       \\
\Tlg{noteheads.s0sol}                         \\
\Tlg{noteheads.s0solFunk}                     \\
\Tlg{noteheads.s0ti}                          \\
\Tlg{noteheads.s0tiThin}                      \\
\Tlg{noteheads.s0tiWalker}                    \\
\Tlg{noteheads.s0triangle}                    \\
\Tlg{noteheads.s1}                            \\
\Tlg{noteheads.s1blackpetrucci}               \\
\Tlg{noteheads.s1cross}                       \\
\Tlg{noteheads.s1diamond}                     \\
\Tlg{noteheads.s1kievan}                      \\
\Tlg{noteheads.s1la}                          \\
\Tlg{noteheads.s1laFunk}                      \\
\Tlg{noteheads.s1laThin}                      \\
\Tlg{noteheads.s1laWalker}                    \\
\Tlg{noteheads.s1mensural}                    \\
\Tlg{noteheads.s1mi}                          \\
\Tlg{noteheads.s1miMirror}                    \\
\Tlg{noteheads.s1miThin}                      \\
\Tlg{noteheads.s1miWalker}                    \\
\Tlg{noteheads.s1neomensural}                 \\
\Tlg{noteheads.s1petrucci}                    \\
\Tlg{noteheads.s1slash}                       \\
\Tlg{noteheads.s1sol}                         \\
\Tlg{noteheads.s1solFunk}                     \\
\Tlg{noteheads.s2}                            \\
\Tlg{noteheads.s2blackpetrucci}               \\
\Tlg{noteheads.s2cross}                       \\
\Tlg{noteheads.s2diamond}                     \\
\Tlg{noteheads.s2harmonic}                    \\
\Tlg{noteheads.s2la}                          \\
\Tlg{noteheads.s2laFunk}                      \\
\Tlg{noteheads.s2laThin}                      \\
\Tlg{noteheads.s2laWalker}                    \\
\Tlg{noteheads.s2mensural}                    \\
\Tlg{noteheads.s2mi}                          \\
\Tlg{noteheads.s2miFunk}                      \\
\Tlg{noteheads.s2miMirror}                    \\
\Tlg{noteheads.s2miThin}                      \\
\Tlg{noteheads.s2miWalker}                    \\
\Tlg{noteheads.s2neomensural}                 \\
\Tlg{noteheads.s2petrucci}                    \\
\Tlg{noteheads.s2slash}                       \\
\Tlg{noteheads.s2sol}                         \\
\Tlg{noteheads.s2solFunk}                     \\
\Tlg{noteheads.s2xcircle}                     \\
\Tlg{noteheads.shufnagel.lpes}                \\
\Tlg{noteheads.shufnagel.punctum}             \\
\Tlg{noteheads.shufnagel.virga}               \\
\Tlg{noteheads.sM1}                           \\
\Tlg{noteheads.sM1blackmensural}              \\
\Tlg{noteheads.sM1double}                     \\
\Tlg{noteheads.sM1kievan}                     \\
\Tlg{noteheads.sM1mensural}                   \\
\Tlg{noteheads.sM1neomensural}                \\
\Tlg{noteheads.sM1semimensural}               \\
\Tlg{noteheads.sM2blackligmensural}           \\
\Tlg{noteheads.sM2kievan}                     \\
\Tlg{noteheads.sM2ligmensural}                \\
\Tlg{noteheads.sM2semiligmensural}            \\
\Tlg{noteheads.sM3blackligmensural}           \\
\Tlg{noteheads.sM3ligmensural}                \\
\Tlg{noteheads.sM3semiligmensural}            \\
\Tlg{noteheads.smedicaea.inclinatum}          \\
\Tlg{noteheads.smedicaea.punctum}             \\
\Tlg{noteheads.smedicaea.rvirga}              \\
\Tlg{noteheads.smedicaea.virga}               \\
\Tlg{noteheads.sr1kievan}                     \\
\Tlg{noteheads.srM1mensural}                  \\
\Tlg{noteheads.srM1neomensural}               \\
\Tlg{noteheads.srM1semimensural}              \\
\Tlg{noteheads.srM2ligmensural}               \\
\Tlg{noteheads.srM2semiligmensural}           \\
\Tlg{noteheads.srM3ligmensural}               \\
\Tlg{noteheads.srM3semiligmensural}           \\
\Tlg{noteheads.ssolesmes.auct.asc}            \\
\Tlg{noteheads.ssolesmes.auct.desc}           \\
\Tlg{noteheads.ssolesmes.incl.auctum}         \\
\Tlg{noteheads.ssolesmes.incl.parvum}         \\
\Tlg{noteheads.ssolesmes.oriscus}             \\
\Tlg{noteheads.ssolesmes.stropha}             \\
\Tlg{noteheads.ssolesmes.stropha.aucta}       \\
\Tlg{noteheads.svaticana.cephalicus}          \\
\Tlg{noteheads.svaticana.epiphonus}           \\
\Tlg{noteheads.svaticana.inclinatum}          \\
\Tlg{noteheads.svaticana.inner.cephalicus}    \\
\Tlg{noteheads.svaticana.linea.punctum}       \\
\Tlg{noteheads.svaticana.linea.punctum.cavum} \\
\Tlg{noteheads.svaticana.lpes}                \\
\Tlg{noteheads.svaticana.plica}               \\
\Tlg{noteheads.svaticana.punctum}             \\
\Tlg{noteheads.svaticana.punctum.cavum}       \\
\Tlg{noteheads.svaticana.quilisma}            \\
\Tlg{noteheads.svaticana.reverse.plica}       \\
\Tlg{noteheads.svaticana.reverse.vplica}      \\
\Tlg{noteheads.svaticana.upes}                \\
\Tlg{noteheads.svaticana.vepiphonus}          \\
\Tlg{noteheads.svaticana.vlpes}               \\
\Tlg{noteheads.svaticana.vplica}              \\
\Tlg{noteheads.svaticana.vupes}               \\
\Tlg{noteheads.u0doFunk}                      \\
\Tlg{noteheads.u0fa}                          \\
\Tlg{noteheads.u0faFunk}                      \\
\Tlg{noteheads.u0faThin}                      \\
\Tlg{noteheads.u0miFunk}                      \\
\Tlg{noteheads.u0reFunk}                      \\
\Tlg{noteheads.u0tiFunk}                      \\
\Tlg{noteheads.u1do}                          \\
\Tlg{noteheads.u1doFunk}                      \\
\Tlg{noteheads.u1doThin}                      \\
\Tlg{noteheads.u1doWalker}                    \\
\Tlg{noteheads.u1fa}                          \\
\Tlg{noteheads.u1faFunk}                      \\
\Tlg{noteheads.u1faThin}                      \\
\Tlg{noteheads.u1faWalker}                    \\
\Tlg{noteheads.u1miFunk}                      \\
\Tlg{noteheads.u1re}                          \\
\Tlg{noteheads.u1reFunk}                      \\
\Tlg{noteheads.u1reThin}                      \\
\Tlg{noteheads.u1reWalker}                    \\
\Tlg{noteheads.u1ti}                          \\
\Tlg{noteheads.u1tiFunk}                      \\
\Tlg{noteheads.u1tiThin}                      \\
\Tlg{noteheads.u1tiWalker}                    \\
\Tlg{noteheads.u1triangle}                    \\
\Tlg{noteheads.u2do}                          \\
\Tlg{noteheads.u2doFunk}                      \\
\Tlg{noteheads.u2doThin}                      \\
\Tlg{noteheads.u2doWalker}                    \\
\Tlg{noteheads.u2fa}                          \\
\Tlg{noteheads.u2faFunk}                      \\
\Tlg{noteheads.u2faThin}                      \\
\Tlg{noteheads.u2faWalker}                    \\
\Tlg{noteheads.u2kievan}                      \\
\Tlg{noteheads.u2re}                          \\
\Tlg{noteheads.u2reFunk}                      \\
\Tlg{noteheads.u2reThin}                      \\
\Tlg{noteheads.u2reWalker}                    \\
\Tlg{noteheads.u2ti}                          \\
\Tlg{noteheads.u2tiFunk}                      \\
\Tlg{noteheads.u2tiThin}                      \\
\Tlg{noteheads.u2tiWalker}                    \\
\Tlg{noteheads.u2triangle}                    \\
\Tlg{noteheads.u3kievan}                      \\
\Tlg{noteheads.uM2}                           \\
\Tlg{noteheads.uM2blackmensural}              \\
\Tlg{noteheads.uM2mensural}                   \\
\Tlg{noteheads.uM2neomensural}                \\
\Tlg{noteheads.uM2semimensural}               \\
\Tlg{noteheads.uM3blackmensural}              \\
\Tlg{noteheads.uM3mensural}                   \\
\Tlg{noteheads.uM3neomensural}                \\
\Tlg{noteheads.uM3semimensural}               \\
\Tlg{noteheads.urM2mensural}                  \\
\Tlg{noteheads.urM2neomensural}               \\
\Tlg{noteheads.urM2semimensural}              \\
\Tlg{noteheads.urM3mensural}                  \\
\Tlg{noteheads.urM3neomensural}               \\
\Tlg{noteheads.urM3semimensural}              \\
\end{longtable}
\end{longsymtable}


\begin{symtable}[LILY]{\LILY\ Named Accordion Symbols}
\idxboth{musical}{symbols}
\label{lily-gen-accordion}
\begin{tabular}{*2{ll}}
\Tlg{accordion.bayanbass} & \Tlg{accordion.oldEE}   \\
\Tlg{accordion.discant}   & \Tlg{accordion.pull}    \\
\Tlg{accordion.dot}       & \Tlg{accordion.push}    \\
\Tlg{accordion.freebass}  & \Tlg{accordion.stdbass} \\
\end{tabular}

\bigskip

\begin{tablenote}
  \LILY\ defines shorter names for all of these symbols except
  \verb|\lilyGlyph{accordion.dot}|.  See \vref{lily-accordion}.
\end{tablenote}
\end{symtable}


\begin{longsymtable}[LILY]{\LILY\ Named Accidentals}
\ltsubindex{arrows}{on musical accidentals}
\label{lily-gen-accidentals}
\begin{longtable}{ll}
\multicolumn{2}{l}{\small\textit{(continued from previous page)}} \\[1ex]
\endhead
\endfirsthead
\\[3ex]
\multicolumn{2}{r}{\small\textit{(continued on next page)}}
\endfoot
\endlastfoot
\Tlg{accidentals.doublesharp}$^*$                    \\
\Tlg{accidentals.flat}$^*$                           \\
\Tlg{accidentals.flat.arrowboth}                     \\
\Tlg{accidentals.flat.arrowdown}                     \\
\Tlg{accidentals.flat.arrowup}                       \\
\Tlg{accidentals.flat.slash}                         \\
\Tlg{accidentals.flat.slashslash}                    \\
\Tlg{accidentals.flatflat}$^*$                       \\
\Tlg{accidentals.flatflat.slash}                     \\
\Tlg{accidentals.hufnagelM1}                         \\
\Tlg{accidentals.kievan1}                            \\
\Tlg{accidentals.kievanM1}                           \\
\Tlg{accidentals.leftparen}                          \\
\Tlg{accidentals.medicaeaM1}                         \\
\Tlg{accidentals.mensural1}                          \\
\Tlg{accidentals.mensuralM1}                         \\
\Tlg{accidentals.mirroredflat}                       \\
\Tlg{accidentals.mirroredflat.backslash}             \\
\Tlg{accidentals.mirroredflat.flat}                  \\
\Tlg{accidentals.natural}$^*$                        \\
\Tlg{accidentals.natural.arrowboth}                  \\
\Tlg{accidentals.natural.arrowdown}                  \\
\Tlg{accidentals.natural.arrowup}                    \\
\Tlg{accidentals.rightparen}                         \\
\Tlg{accidentals.sharp}$^*$                          \\
\Tlg{accidentals.sharp.arrowboth}$^*$                \\
\Tlg{accidentals.sharp.arrowdown}$^*$                \\
\Tlg{accidentals.sharp.arrowup}$^*$                  \\
\Tlg{accidentals.sharp.slashslash.stem}$^*$          \\
\Tlg{accidentals.sharp.slashslash.stemstemstem}$^*$  \\
\Tlg{accidentals.sharp.slashslashslash.stem}$^*$     \\
\Tlg{accidentals.sharp.slashslashslash.stemstem}$^*$ \\
\Tlg{accidentals.vaticana0}                          \\
\Tlg{accidentals.vaticanaM1}                         \\
\end{longtable}

\begin{tablenote}[*]
  \LILY\ defines shorter names for these symbols.  See
  \vref{lily-accidentals}.
\end{tablenote}
\end{longsymtable}


\begin{symtable}[LILY]{\LILY\ Named Arrowheads}
\idxboth{musical}{symbols}
\index{arrowheads}
\label{lily-gen-arrowheads}
\begin{tabular}{*2{ll}}
\Tlg{arrowheads.close.01}  & \Tlg{arrowheads.open.01}  \\
\Tlg{arrowheads.close.0M1} & \Tlg{arrowheads.open.0M1} \\
\Tlg{arrowheads.close.11}  & \Tlg{arrowheads.open.11}  \\
\Tlg{arrowheads.close.1M1} & \Tlg{arrowheads.open.1M1} \\
\end{tabular}
\end{symtable}


\begin{symtable}[LILY]{\LILY\ Named Alphanumerics and Punctuation}
\index{numerals}
\index{forte=forte (\LILYdyn{-1pt}{f})}
\index{mezzo=mezzo (\LILYdyn{0pt}{m})}
\index{piano=piano (\LILYdyn{-2pt}{p})}
\idxboth{musical}{symbols}
\label{lily-gen-alphanum}
\begin{tabular}{*3{ll}}
\Tlg{zero}  & \Tlg{four}  & \Tlg{eight} \\
\Tlg{one}   & \Tlg{five}  & \Tlg{nine}  \\
\Tlg{two}   & \Tlg{six}   &             \\
\Tlg{three} & \Tlg{seven} &             \\[3ex]

\Tlg{f} & \Tlg{p} & \Tlg{s} \\
\Tlg{m} & \Tlg{r} & \Tlg{z} \\[3ex]

\Tlg{comma}  & \Tlg{period} \\
\Tlg{hyphen} & \Tlg{plus}   \\
\end{tabular}

\bigskip

\begin{tablenote}
  See \vref{lily-dyn-alpha} for an alternative way to typeset dynamics
  letters.  \LILY\ additionally provides a \cmd{\lilyText} command
  that can be useful for typesetting groups of the preceding symbols.
  \seedocs{\LILY}.
\end{tablenote}
\end{symtable}


\begin{symtable}[LILY]{Miscellaneous \LILY\ Named Musical Symbols}
\idxboth{musical}{symbols}
\label{lily-gen-misc}
\begin{tabular}{*2{ll}}
\Tlg{brackettips.down} & \Tlg{dots.dotvaticana}   \\
\Tlg{brackettips.up}   & \Tlg{ties.lyric.default} \\
\Tlg{dots.dot}         & \Tlg{ties.lyric.short}   \\
\Tlg{dots.dotkievan}   &                          \\
\end{tabular}
\end{symtable}


\begin{symtable}[UTFSYM]{\UTFSYM\ Music Emojis}
\index{musical instruments}
\index{guitar=guitar (\lucideicon{guitar})}
\index{keyboard>musical=musical (\lucideicon{keyboard-music})}
\index{musical notes=musical notes (\lucideicon{music-2})}
\index{musical notes=musical notes (\lucideicon{music-3})}
\index{musical notes=musical notes (\lucideicon{music-4})}
\index{musical notes=musical notes (\lucideicon{music})}
\index{piano=piano (\lucideicon{piano})}
\label{lucide-icons-music}
\begin{tabular}{ll@{\qquad}ll}
\TLUC{guitar}         & \TLUC{music-3} \\
\TLUC{keyboard-music} & \TLUC{music-4} \\
\TLUC{music}          & \TLUC{piano}   \\
\TLUC{music-2}        &                \\
\end{tabular}
\end{symtable}


\begin{symtable}[UTFSYM]{\UTFSYM\ Music Emojis}
\index{musical instruments}
\label{utfsym-music-inst}
\begin{tabular}{lll@{\qquad}lll}
\Tutfsym{1F398}{musical keyboard with jacks} & \Tutfsym{1F3B9}{musical keyboard} \\
\Tutfsym{1F399}{studio microphone}           & \Tutfsym{1F3BA}{trumpet}          \\
\Tutfsym{1F3B7}{saxophone}                   & \Tutfsym{1F3BB}{violin}           \\
\Tutfsym{1F3B8}{guitar}                      & \Tutfsym{1F4EF}{postal horn}      \\
\end{tabular}
\end{symtable}


\begin{symtable}[TWEM]{\TWEM\ Music Emojis}
\index{musical instruments}
\label{twemojis-music}
\begin{tabular}{*2{ll}}
\Ttwem{accordion}{1fa97}        & \Ttwem{musical note}{1f3b5}  \\
\Ttwem{banjo}{1fa95}            & \Ttwem{musical notes}{1f3b6} \\
\Ttwem{drum}{1f941}             & \Ttwem{musical score}{1f3bc} \\
\Ttwem{guitar}{1f3b8}           & \Ttwem{postal horn}{1f4ef}   \\
\Ttwem{headphones}{1f3a7}       & \Ttwem{saxophone}{1f3b7}     \\
\Ttwem{long drum}{1fa98}        & \Ttwem{trumpet}{1f3ba}       \\
\Ttwem{microphone}{1f3a4}       & \Ttwem{violin}{1f3bb}        \\
\Ttwem{musical keyboard}{1f3b9} & \Ttwem{wind chime}{1f390}    \\
\end{tabular}

\bigskip

\begin{tablenote}
  \twemojismessage.
\end{tablenote}
\end{symtable}


\idxbothend{musical}{symbols}
